Apple Log to RED PowerGrade

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✅ Updated for ProRes RAW and Apple Log 2

Bring RED-quality imagery to your iPhone workflow with a calibrated node-based pipeline in DaVinci Resolve Studio.

This PowerGrade gives you a complete Apple Log to RED color pipeline:

Complete Node Tree – Pre-built RED matching pipeline
Apple Log → RED Log3G10 conversion inside nodes
Skin tone & tonal balance refinements
Adjustable user-nodes for exposure, white balance, and creative control
PDF User Guide – Quick workflows and best practices

Refine. Match. Elevate.
This is a calibrated node-based pipeline, with key user-nodes left open for primary adjustments and look creation without breaking the RED match.

✅ Calibrated RED Matching
Shot-by-shot matched to RED Komodo-X with ColorChecker and controlled studio/exterior tests
✅ Apple Log 2 Compatible
Use with Apple Log 2 footage by simply adjusting the input color space on Node 2.
✅ Editable User Nodes
Dedicated nodes for adjusting exposure, white balance, add a creative look or texture elements — without breaking the calibration
✅ Filmic Tonal Response
Natural highlight roll-off, shadow depth, and RED-like contrast baked into the structure
✅ Skin Tone Accuracy
Preserves natural complexions while carrying the RED look
✅ Professional Workflow
Built for DaVinci Resolve Studio. Designed for all iPhones that support Apple Log/Apple Log 2 recording.

Achieve RED-like color science directly on iPhone Apple Log footage.
Download the Apple Log to RED PowerGrade now.

From iPhone to RED. The Process Behind the PowerGrade

Our Apple Log to RED PowerGrade VS a real RED Komodo-X camera

near-identical rendering to actual RED footage

RED Komodo-X

AppleLog2RED PG

Drag

Matched dynamic range, tonality, and color response

RED Komodo-X

AppleLog2RED PG

Drag

Matched dynamic range, tonality, and color response

RED Komodo-X

AppleLog2RED PG

Drag

Creating Apple Log to RED PowerGrade

01

To create the most precise conversion PowerGrade for Apple Log, we shot side-by-side tests with the RED Komodo-X and iPhone 16 Pro under a wide range of lighting conditions, from controlled studio setups to natural outdoor scenes.

02

By capturing identical setups with both cameras, and using ColorChecker charts on set, we were able to deeply analyze and match RED’s tonal response, color science, and dynamic roll-off, directly onto Apple Log footage.

03

This extensive testing resulted in a true technical PowerGrade that transforms Apple Log into RED Log3G10, giving iPhone footage the rich texture and cinematic color of a RED image.

01

To create the most precise conversion PowerGrade for Apple Log, we shot side-by-side tests with the RED Komodo-X and iPhone 16 Pro under a wide range of lighting conditions, from controlled studio setups to natural outdoor scenes.

02

By capturing identical setups with both cameras, and using ColorChecker charts on set, we were able to deeply analyze and match RED’s tonal response, color science, and dynamic roll-off, directly onto Apple Log footage.

03

This extensive testing resulted in a true technical PowerGrade that transforms Apple Log into RED Log3G10, giving iPhone footage the rich texture and cinematic color of a RED image.

Node Tree Overview

RGB Channel Balancer

Corrects imbalances between R, G, B channels before linearization. Ensures neutral channel balance.

Apple Log to Linear

Converts Apple Log into a wide-gamut linear space for technical operations.

Matrix

Corrects the iPhone’s spectral signature to better align with RED’s color science.

Exposure/Balance

Free node for adjusting exposure and white balance before conversion.

Linear to RED Log3G10

Converts the linearized iPhone image into REDWideGamutRGB / Log3G10, mimicking the RED pipeline.

Contrast

Recreates RED-like natural contrast curve and highlight/shadow roll-off.

Chromatic Alignment

Aligns hues and saturation to RED’s chromatic response.

Custom: look node

Creative grading space. Apply custom looks here while staying in RED Log3G10 space.

Midtone detail

Reduces digital sharpness of iPhone footage, softening micro-detail for a more organic RED-like texture.

RED Log3G10 to Rec.709

Converts final graded image into Rec.709 for delivery/export.

Filmic texture

Adds RED-like “in-camera” filmic texture.

FAQ

Our customer support is available Monday to Friday: 8am-8:30pm.Average answer time: 4h
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  • 4 stars: 9 (25%)
  • 3 stars: 0 (0%)
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Michael Pajarillo

Superior Luts and powergrade

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Lena Hoffmann
Can’t believe this is iPhone footage

This pack has literally everything. Grading, texture, tones… my shots look insane now.

J
Julien Moreau
Skin tones = game changer

Best tones I’ve ever got from a Lut. No weird colors, finally.

L
Laura Schmitt
Loved the Skintone Handling

Never had to fight to get skin to look natural again.

F
Felix König
Ideal for Social and Commercials

Quick turnarounds, high-end visuals. Perfect combo.

C
Clara Vogel
Small Tool, Big Impact

Didn’t expect this much quality in such a lightweight setup.

M
Maximilian Neumann
Delivers Consistency Across Projects

Great if you’re looking for a signature style without reinventing the wheel.

N
Nina Keller
Takes the Guesswork Out

No more second-guessing my contrast or skintone balance.

A
Antoine Petit
Works Perfectly With Apple Log

Finally something that understands mobile workflows.

S
Sophie Lambert
Color Grading Made Simple

Even if you’re not a colorist, you’ll get great results with this.

T
Thomas Roux
Professional Look in Minutes

Everything feels high-end, even when I'm rushing a delivery.

É
Émilie Dubois
Saves Time Without Sacrificing Quality

My grading is faster and better since I started using this.

L
Lucas Girard
Not Just a Preset

Way more powerful than your average LUT or template.

C
Clara Lefèvre
Clean Base, Beautiful Finish

Gives you a solid base and a beautiful look out of the box.

J
Julien Moreau
Super Useful and Well Built

Works flawlessly across projects. Great attention to detail.

E
Ethan Robinson
It Just Works

No learning curve, no frustration—just beautiful results.

G
Grace Martinez
Must-Have for Colorists

If you grade regularly, this belongs in your workflow.

D
Daniel Anderson
One of My Favorite Purchases

Simple to use, but the results look anything but basic.

A
Ava Williams
Love the Color Science

Everything feels balanced and natural, even in tricky lighting.

M
Michael Smith
Feels Like a Studio-Level Tool

This is the kind of refinement you usually get from high-end color houses.

E
Emma Johnson
The Missing Piece in My Toolkit

I didn’t realize how much I needed this until I used it.

P
Paul Braun
Makes Me Look Better Than I Am

Great tool for freelancers who want to impress fast.

L
Leonie Becker
Elegant and Effective

Not overdone, just the right amount of stylization and control.

T
Tim Hoffmann
Works Like Magic

Dropped it on a timeline and instantly had a clean base grade.

M
Mia Schneider
Finally, Real Control Over Look

The level of precision it offers is incredible, especially on highlights and mids.

J
Jonas Weber
Smart and Modular

Love how flexible it is. I can dial in the look or push it further.

A
Anna Müller
Looks Amazing on All Footage

Tried it on RED, BMPCC and iPhone – works great across the board.

L
Lukas Fischer
Perfect for Commercial Work

Clients immediately noticed the difference. Skintones and contrast are spot-on.

A
Amelia Patel
Saved Me Tons of Time

No more starting from scratch on every project.

B
Benjamin Clark
Incredibly Well Designed

Everything is organized and functional. You can tell it was built by someone who actually grades.

S
Sophie Harris
Boosted My iPhone Footage

I can’t believe how good my mobile shots look now.

J
James Davies
Clean, Cinematic, and Easy

Delivers a beautiful finish with just a few node tweaks.

C
Charlotte White
Exactly What I Needed

I’ve tried many tools, but this one finally gave me the look I wanted.

O
Oliver Jackson
Professional Results in No Time

Makes my footage look polished without spending hours tweaking.